Written by Oliver Bown, UNSW Sydney In March, we saw the launch of a “ChatGPT for music” called Suno, which uses generative AI to produce realistic songs on demand from short text prompts. A few weeks later, a similar competitor – Udio – arrived on the scene. I’ve been working with various creative computational tools for the past 15 years, both as a researcher and a producer, and the recent pace of change has floored me. As I’ve argued elsewhere,…
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